An architect takes on what others
have left subsequent generations. The relation between the parts to the whole were
characteristic to him, every part has to have its own identity but at the same
time be inexorably chained to the whole. That
abstract saying form and function are one is the center line of architecture,
organic. It places us in line with nature and enables us sensibly to go to
work. We are shifting in what we live now; we don't really live in
it.A useful
point of departure is to disentangle it, if only momentarily, from the word
organic. This analogy between nature
and architecture already occurred in works of the artist Horatio Greenough in
the middle of the 19th century. Perhaps
in realizing this, in later writings Wright occasionally punctuated the
relationship between organic architecture and nature, emphasizing that they are
inseparable. We don't
really understand what it is to live in an organic building with organic
character. A building should appear to grow
easily from its site and be shaped to harmonize with its surroundings. Any building which is built should love the ground on
which it stands. Wright
sees every building as something special, related to the location where it
stands and as part of the landscape, nature. Wright always thought that we should live with some
connection to nature – he said that it was more humane, that it was, in
fact, in our nature.
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